Vincent altarpiece in Catalonia is reddish-brown on one side and plaid on the other, and remains of plaid and checkered wool fabrics dating to the 14th century have also been discovered in London. Sometimes just the hose would be different colours on each leg.Д¬heckered and plaid fabrics were occasionally seen a parti-coloured cotehardie depicted on the St.

ДЄ fashion for mi-parti or parti-coloured garments made of two contrasting fabrics, one on each side, arose for men in mid-century, and was especially popular at the English court. Fashionable Italian silks of this period featured repeating patterns of roundels and animals, deriving from Ottoman silk-weaving centres in Bursa, and ultimately from Yuan Dynasty China via the Silk Road. The well-off could afford woven brocades from Italy or even further afield. In Northern Europe, silk was an imported and very expensive luxury. Edward III established an embroidery workshop in the Tower of London, which presumably produced the robes he and his Queen wore in 1351 of red velvet 'embroidered with clouds of silver and eagles of pearl and gold, under each alternate cloud an eagle of pearl, and under each of the other clouds a golden eagle, every eagle having in its beak a Garter with the motto hony soyt qui mal y pense embroidered thereon.' Embroidery in wool, and silk or gold thread for the rich were used for decoration. This is hard to assess as artists tended to avoid trying to depict patterned cloth due to the difficulty of doing so.

Woodblock printing of cloth was known throughout the century, and was probably fairly common by the end In the course of the century the length of male hem-lines progressively reduced, and by the end of the century it was fashionable for men to omit the long loose over-garment of previous centuries (whether called tunic, kirtle, or other names) altogether, putting the emphasis on a tailored top that fell a little below the waist-a silhouette that is still reflected in men's costume today. Also, the use of lacing and buttons allowed a more snug fit to clothing. The draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring, which allowed clothing to more closely fit the human form. Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable ' fashion' in clothing, in which Fernand Braudel concurs. The lady wears a blue cloak lined in vair, or squirrel, fur.ДЇashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. In the lower panel, the man is dressed as a pilgrim on the Way of St James with the requisite staff, scrip or shoulder-bag, and cockle shells on his hat. Clothing of the first half of the 14th century is depicted in the Codex Manesse.

Txt crown outfit